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Friday, 9 October 2026 in
BC1 Business Channel One
The memory of the futureSharing innovation knowledge through authentic stories

Information - How BC1® works

How BC1® works

BC1® (Business Channel One) is an independent film platform and public knowledge archive on sustainable innovation. It operates as a social enterprise, based in the Netherlands and serving a European audience. The Dutch-language version of the platform is available via bc1.nl. Films here aren't temporary, they're lasting: public, ad-free, and findable, long after the project that produced them has ended. Making films is part of that process, not the goal in itself. For a project this is dissemination that does not stop when the funding does. The film stays public, with text and subtitles, so it remains findable for anyone who takes up the same subject later. Communication during a project reaches the people who are there at the time. An archive also reaches the one who only runs into the subject three years from now.

Here's how that works.

What's on the platform

The films cover innovations that are worth seeing, and worth learning from. They're made according to journalistic principles: factual, verifiable, and honest about what doesn't work yet.

How a film gets made

Every production starts with a conversation. Together with your organisation, we work out what's worth showing, who should be interviewed, and what the core of the story is. The people working on the ground know the subject best; we know what a viewer needs to understand it. The concept is settled before filming begins.

Our focus is on making sure a film explains rather than promotes. That's not a limitation, it's why the material still holds up years later, and why a teacher, policy officer or journalist can cite it as a source. It's also why we don't publish advertising films, recruitment videos or corporate presentations, even when they're about an innovation.

Naturally, a company gains visibility from having a film made. But that's a side effect, not the point, the difference is in the approach: the film explains, rather than sells. It's also why people watch it through to the end: you click away from an ad, not from an explanation.

Publishing an existing film, or making one together

If you already have a film about an innovation, it can be placed here: made public, subtitled, transcribed, and findable again. This applies especially to films made for a project or programme that vanish once it's over.

If there's no film yet, Team BC1® can make one.

Either way, we look at the content itself: is this about an innovation, is there something to show, would it be useful to someone else.

Advertising films, recruitment videos and company presentations do not go on the platform, even when they are about an innovation. Not sure whether your film qualifies, put it to us and we will look at it together and talk through what is possible.

Innovative spray valve for precision farming, Independent Editorial Environment impact validationPhoto: Small innovation with big impact

Who it is for

What BC1® does works out differently per sector. For civil society organisations, for instance, a film is made to last the length of a project and then disappears, while the subject stays relevant for years. Stories that last is about exactly that.

For education, that archive works as a source in the classroom, in a course module or in a presentation. Practical education and BC1® explains how that works.

If you work in policy, the archive shows how a scheme, grant or programme plays out on the ground. That is what Real-world stories of policy in action is about.

For companies it works on two sides. Anyone who has to report on sustainability, laid down in Europe as the CSRD, ends up with figures that outsiders find hard to place. A film shows where those figures come from, so employees, shareholders and the public can follow them. On the other side, an innovation is often developed locally, put on the company's own website, and disappears the moment the project ends. A few years later the next party starts from scratch, often with public money again. On BC1® it stays, public and findable.

Funding and editorial responsibility

Films are funded in three ways. They're produced on commission, paid for by the client. Or they're made within a project where BC1® takes part as a media partner, funded from the project budget. Or an organisation asks us to research and cover a topic, because they believe it deserves more attention. Either way, the production is paid for, that's how the platform sustains itself.

That funding covers our costs. When there's room, we invest ourselves too: we produce a film unpaid, because we believe the subject deserves it. We decide which topic that is, though tips are always welcome. That's how BC1® keeps growing, beyond any commission or project.

The content is always developed in consultation, aiming for a film that's factually accurate and easy to understand. If opinions differ on the journalistic angle, the final call rests with us. We always correct factual errors.

Built to be found

No algorithm decides what you see on BC1®. Films aren't buried because they're old or rarely watched, they stay part of the platform, directly accessible.

Ask a search engine or an AI system such as ChatGPT or Gemini a specific question, and you may land directly on the film that has the answer.

Keeping knowledge alive

Finishing a project doesn't mean a film disappears from BC1®. When a topic becomes relevant again, we bring it back into the spotlight, through the website and social media.

During a prolonged drought, for example, we highlight our documentary on Zoetwaterboeren (Freshwater Farmers) again. When grid congestion or energy storage makes headlines, related films come back to the surface. Not because they're new, because they're relevant again.

That's editorial work, not an algorithm.

Open to everyone

Free to watch means more here than no advertising and no paywall. It also means you should be able to use the site when reading or seeing is difficult.

Read aloud. Every article has a Read aloud button. The text is spoken out loud and the words light up as it goes, so you can follow along. You can stop at any point, and two arrows jump a piece back or forward.

Point to hear. The menu bar has a Voice button. Switch it on and the site speaks whatever you point at with the mouse: a menu item, a heading, a link, a paragraph. That way you can explore the site without having to read all of it. The button stays on until you switch it off.

Subtitles. Our films are subtitled in seven languages. For new films we also add a track describing what can be heard, for people who are deaf or hard of hearing, and a spoken description of what happens on screen.

Using the keyboard. Press the tab key and a link appears at the top that skips the menu and takes you straight to the article. Everything you can reach with tab gets a clear outline, so you can see where you are.

How do I set the voice and language myself?

The reading is done by your own browser, using the voices installed on your computer or phone. We send nothing out for it. Which language is used is decided by the site: Dutch on bc1.nl, English on bc1.eu.

Voice quality differs per browser. On Windows, Chrome uses the voices installed in Windows itself; Edge also offers newer voices that sound noticeably more natural. If it sounds tinny, try Edge, or install a better voice:

If you use Firefox on Windows, reading aloud will not work. Firefox cannot reach the voices of Windows 11. It does work in Edge or Chrome. On a Mac, iPhone or iPad Firefox works fine, because there it uses the voices of the device itself.

Contact

Questions about the platform, submitting material, or using it; reach us via
Email: 
Phone: 

What our clients say

Rob Beemster, Greenport NHN
"What appeals to me personally is the documentary-style approach they take. The videos are visually engaging, but they also give the viewer something meaningful to take away. Before they head out with the camera, they ask the right questions. With the valuable help of BC1®, we've succeeded in bringing developments in agriculture and energy to our target audience in a compelling way."

Ada Kaspersma, Adalyse
"Thanks to BC1®, my company gained much more visibility. They are professional, dedicated, and a pleasure to work with."

People and organisations featured exclusively here

View the list
  • AAA (Triple A) Total Facility Management - Koos Groenewoud
  • ABT BV - Joost Rijers
  • Adalyse - Ada Kaspersma
  • Agrotheek – Sander Dekker
  • Alles over waterstof - Erwin Geurts
  • Alles over waterstof - Frank Mietes
  • Almere Zaken - Martin van Feggelen
  • Almere Zaken - Ron Broertjes
  • André Kuipers
  • Apeldoorn Bloembollen - Theo Apeldoorn
  • AquaBattery – Jiajun Cen
  • Avantium - Gert-Jan Gruter
  • Basilisk Contracting BV - Bart van der Woerd
  • BB Leap - Peter Millenaar
  • Battolyser Systems – Mattijs Slee
  • BeO Bottle - Damir Perkic
  • Bio BTX - Pieter Imhof
  • BlueLeg Monitor - Chantal Bleuel
  • Boltha BV - Thijs van den Berg
  • Brightec - Hans Opdam
  • Brightec - Tom Opdam
  • Bordex - Bert Hengeveld
  • Bordex - Wim Hassink
  • Bureau Lodz - Robert Jan de Roo
  • CDA - Agnes Mulder
  • Cellcius – Olaf Adan
  • CESAR energy storage - Cees van Nimwegen
  • Cirwinn - Dick Schreuder
  • D66 - Matthijs Sienot
  • DC Current - Harry Stokman
  • Delta21 – Huub Lavooij
  • Delta21 – Leen Berke
  • Drift - Derk Loorbach
  • Drift - Jan Rotmans
  • Dynniq - Ron van Schaijck
  • Dynniq - Will de Jager
  • Ecovat - Ruud van den Bosch
  • Engie - Harry Talen
  • Eosta – Volkert Engelsman
  • E-Trailer - Boy Trip
  • E-Trailer - Rick Lenssen
  • EV Mobility - Dave Goudeket
  • EV Mobility - Erik Vegt
  • Fair Transport Foundation - Arjen van der Veen
  • Farmertronics - Thieu Berkers
  • Fieldlab Bol - Michel Jansen
  • Gemeente Almere - Maaike Veeningen
  • Gemeente Almere - Sander van Voorn
  • Gemeente Almere - Ton Eggenhuizen
  • Greenport NHN - Jeroen Noot
  • H2ARVESTER - Marcel Vroom
  • H2FUEL HOLDING BV - André Keijser
  • H2FUEL HOLDING BV - Gerard Lugtigheid
  • H2FUEL HOLDING BV - Jan Willem Kelder
  • Haagse Hogeschool – Kim Poldner
  • HB Adviesbureau - René Helmhout
  • Hoeve Lotmeer - Klaas Schenk
  • Hollarts - Tjerk Holland
  • Holthausen Clean Technology - Max Holthausen
  • Holthausen Clean Technology - Stefan van der Spek
  • Hoogheemraadschap Hollands Noorderkwartier - Bob de Boer
  • Hoogheemraadschap van Rijnland - Henk Weijers
  • Horeca EvenTT - Alexander Plomp
  • Horeca EvenTT - Jan Vlap
  • Huiberts Biologische Bloembollen - Glenn Vaars
  • Huiberts Biologische Bloembollen - John Huiberts
  • HYET HYDROGEN - Maria Fennis
  • HYET HYDROGEN - Tjeerd Maalderink
  • Hygro - Jan Willem Langeraar
  • Ik wil hypnose - Marcel Beijer
  • IPaDIC - Adri Blomme
  • J.C.J. Ruiter Wever – Stef Ruiter
  • Jonge Klimaatbeweging – Werner Schouten
  • JPA - Jordi Hillenga
  • Kapiteyn Horticulture BV - Alex van Haaster
  • Kennis Instituut Duurzaam Verpakken - Daphne van den Berg
  • Kraak de Crisis - Roos Janssen
  • Krikke Culinaire Groothandel - Ivo Krikke
  • Krikke Culinaire Groothandel - René Goudberg
  • KNN Cellulose - Erik Pijlman
  • Lectoraat Robotica – Kristel van Ammers
  • Lightwell - Henk Janssen
  • Lightwell - Virgil Warnars
  • Loonbedrijf Sturm-Jacobs - Pim Sturm
  • LTO Noord - Gerben van Lenthe
  • LTO Noord - Marbel de Graaf
  • LTO Noord - Tineke de Vries
  • Maex - Gerda Deekens
  • Marieke van der Werf
  • Ministerie van Infrastructuur en Waterstaat - Arnoud Passenier
  • Ministerie van Infrastructuur en Waterstaat - Stientje van Veldhoven
  • Mourik - Bert Everts
  • Mourik - Leanda Bogaards
  • Multivac - Saskia Cooman
  • MVO Nederland - Maria van der Heijden
  • Natural Plastics - Bert van Vuuren
  • Netwerk Flevolandse Zakenvrouwen
  • Nevap - Ilja Werkhoven
  • New Energy Coalition - Frank Brandsen
  • Nutripack - Leo Klapwijk
  • NXT Mobility - Erik Metselaar
  • Ocean Grazer – Marijn van Rooij
  • Ocean Grazer – Max Duursma
  • Onderwijsorganisatie Vonk - Auke de Boer
  • Onderwijsorganisatie Vonk - Mats Griffioen
  • Ontwikkelingsbedrijf Noord-Holland Noord - Marlies van Dijk
  • Oranjehoen - Johan Leenders
  • OTG Energy - Anne Siepel
  • OTG Energy - Richard Duckers
  • Practoraat CRE - Maurijn Odé
  • Proton Ventures – Hans Vrijenhoef
  • Provincie Flevoland – Jop Fackeldey
  • Provincie Noord Brabant – Anne-Marie Spierings
  • Provincie Noord-Holland - Ilse Zaal
  • Provincie Zuid Holland – Berend Potjer
  • PVDA - William Moorlag
  • Rebel Next Economy - Hester Klein Lankhorst
  • Retourmatras - Nanne Fioole
  • RH3S – Eddie Loonstra
  • Ronald Rovers
  • Royal Grass - Freek Verhoeven
  • Royal Living - Cornelis van Veen
  • SDG Nederland - Sandra Pellegrom
  • Silphie.nl - Peter Schreurs
  • Skin for Skin - Mardien Radewalt-Brouwer
  • Startblock - Tony Mol
  • Stichting GraanGeluk - Marcel van Silfhout
  • Stichting SCO - Ruud Koornstra
  • Stokerij Texel - Jaco Spek
  • Stokerij Texel - Kees Groenewoud
  • Sustenso - Chata Mundell
  • Sustenso - Hans van der Weide
  • Sustenso - Joost Teixeira de Mattos
  • SuWoTec - Lammert de Wit
  • SuWoTec - William van der Schee
  • Tech@Connect - Michael van Alderwegen
  • Teeuwen BV - Joris Teeuwen
  • Teeuwen BV - Mark Teeuwen
  • Tieluk - Frank Turksma
  • TNO - Hans van Wees
  • TNO - Lennart van der Burg
  • TNO - Rob de Ruiter
  • Transitie Coalitie Voedsel - Willem Lageweg
  • True Prices – Michel Scholte
  • TU Delft – Bob Verschoor
  • TU Delft - Henk Jonkers
  • TU Delft - Klaas Visser
  • TU Delft – Mark Voorendt
  • TU Delft - Robin van Kappel
  • TU Delft – Quintes van Horick
  • TU Delft – Vyasa Sewberath-Misser
  • TU Delft - Wubbo Ockels
  • TU Eindhoven - Bas Huisman
  • TU Eindhoven - Quinten Oostvogel
  • TU Eindhoven - Tim Stek
  • Van Plestik - Nout Kooij
  • Van Plestik - Sam van Til
  • Van Werven - Ton van der Giessen
  • Vereniging Bedrijfskring Almere - Kimberley Valentien
  • Vereniging Nationale Jeugdraad - Martijn Visser
  • Vertify - Kees Stoop
  • Vertify – Pieter Vlaar
  • Vogel BV - Lennart Mulder
  • VVD - Mark Harbers
  • Wageningen Universiteit - Paul van Zoggel
  • Waste Shark - Linsey Schellaars
  • Waste Shark - Ming Chan
  • Waste2Materials
  • Wavin - Tristan van de Pavert
  • Welzijnspraktijk Aandacht - Elly Voskuilen
  • Wetterskip Fryslân - Yede van der Kooij
  • Wipak - Arnold Postma
  • Zep BV - Jan Bakker
  • Zep BV - Johannes Schinkel
  • Zoetwaterboeren - Jan Broos
  • Zuidweg Schuldhulpverlening - Jacqueline Zuidweg
 

Frequently asked questions

How does Business Channel One make my innovation visible?
We produce a journalistic film about your innovation and publish it ad-free on our platform, worldwide via bc1.eu, and findable in AI systems such as ChatGPT and Gemini.
Can my own film be published on BC1® as well?
Yes, if it is about an innovation. An existing film can be published here in the open, subtitled and accompanied by text, which makes it findable again. The editors look at the content: is it about an innovation, is there something to see, does anyone else benefit from it. Advertising films, recruitment videos and company presentations are not published, even if they are about an innovation. If there is no film yet, team BC1® can make one together with you.
How is a film paid for?
In three ways: on commission (the client pays), within a project where BC1® takes part as a media partner (from the project budget), or because an organisation asks us to investigate a subject and put it on film, since it wants that subject to get more attention. That's how the platform sustains itself, while editorial independence over what gets published stays intact.
Who is Business Channel One for?
For innovative B2B entrepreneurs, policymakers and educators who want to show their story credibly and for the long term, in the Netherlands and far beyond.
Do you offer multilingual subtitles?
Yes. Our films include multilingual subtitles, so your story is findable internationally and by AI search engines.
Where does my innovation stay visible the longest?
On BC1®. Your film doesn't just stay available years later, we also actively keep it in view: when a topic becomes relevant again, we bring the related film back to the fore through the website and social media. That way your innovation doesn't disappear, but stays findable, even for someone searching through AI.
Does my film stay findable after the project ends?
Yes. Where a film often disappears elsewhere once a project stops, on BC1® it stays public, subtitled and findable, years later. And it stays up for as long as you want: a film only goes offline if you, as the client, ask for it yourself. That way you keep control, and nothing disappears unnoticed.
Why BC1® and not YouTube?
YouTube is fine as an extra place, but your film doesn't resurface there on its own: on social media it passes by, and then it's gone. BC1® is the place that keeps films about sustainable innovation findable for the long term. No algorithm deciding what you see, but an editorial team that brings relevant films back when the topic matters again. Is your film also on YouTube? Good, the two complement each other.
What does dissemination mean for a project?
Most project communication stops when the funding does. The website goes offline, the film disappears from a drive, and the results are no longer findable. On BC1® the film stays public, subtitled and findable for years, so the knowledge from the project remains available to anyone looking for it later.
Why does sustainable innovation perform so poorly on YouTube?
YouTube is optimised for what rewards instantly and gets repeated: comedy, music, gaming, children's content. A subject like dike reinforcement without sheet piling demands attention, is usually watched only once, and has a small, specific audience. The algorithm also rewards what is already popular, so niche topics sink away. On BC1® a film like that does stay, and stays findable, because no algorithm decides what you see there.